Oops. Aber zumindest bietet das Cover in meinem Post noch ein bisschen Mehrwert.Ender hat geschrieben: 21. Oktober 2024 20:10Also, DAS hatte ich aber ein paar Beiträge zuvor auch schon verkündet
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World Fantasy Award
- Doop
- SMOF

- Beiträge: 9720
- Registriert: 20. August 2002 18:31
- Land: Deutschland
- Wohnort: Berlin
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Re: World Fantasy Award
- Doop
- SMOF

- Beiträge: 9720
- Registriert: 20. August 2002 18:31
- Land: Deutschland
- Wohnort: Berlin
- Kontaktdaten:
Re: World Fantasy Award
Die Nominierungen für 2026 sind draußen:
Best Novel
Audition for the Fox, Martin Cahill (Tachyon)
Once Was Willem, M.R. Carey (Orbit US; Orbit UK)
The Secret Market of the Dead, Giovanni De Feo (Saga)
The Everlasting, Alix E. Harrow (Tor US; Tor UK)
The Adventures of Mary Darling, Pat Murphy (Tachyon)
Best Long Fiction
The River Has Roots, Amal El-Mohtar (Tordotcom; Arcadia)
“The Secret Diary of Mina Harker”, Theodora Goss (Letters from an Imaginary Country)
“Uncertain Sons”, Thomas Ha (Uncertain Sons and Other Stories)
The Death of Mountains, Jordan Kurella (Lethe)
“The Spotter”, Josh Malerman (You, Human: An Anthology of Dark Science Fiction, Vol. 2)
Psychopomp & Circumstance, Eden Royce (Tordotcom)
A Mouthful of Dust, Nghi Vo (Tordotcom)
Best Short Fiction
“The Hungry Mouth at the Edge of Space and the Goddess Knitting at Home”, Renan Bernardo (Reactor 8/27/25)
“In My Country”, Thomas Ha (Clarkesworld 4/25)
“10 Visions of the Future; or, Self-Care for the End of Days”, Samantha Mills (Uncanny 3-4/25)
“St. Dymphna’s School for Borderland Girls”, Jocelyn Szczepaniak-Gillece (Weird Horror Spring ‘25)
“Unfinished Architectures of the Human-Fae War”, Caroline M. Yoachim (Uncanny 5-6/25)
Best Anthology
Night & Day, Ellen Datlow, ed. (Saga)
Storyteller: A Tanith Lee Tribute Anthology, Julie C. Day, Carina Bissett & Craig Laurance Gidney, eds. (Essential Dreams)
The Best Weird Fiction of the Year: Volume 1, Michael Kelly, ed. (Undertow)
Year’s Best Canadian Fantasy & Science Fiction: Volume Three, Stephen Kotowych, ed. (Ansible)
Bog People: A Working-Class Anthology of Folk Horror, Hollie Starling, ed. (Chatto & Windus)
Best Collection
Letters from an Imaginary Country, Theodora Goss (Tachyon)
Uncertain Sons and Other Stories, Thomas Ha (Undertow)
The Essential Patricia A. McKillip, Patricia A. McKillip (Tachyon)
The Eleventh Hour: A Quintet of Stories, Salman Rushdie (Random House; Jonathan Cape)
Black Hole Heart and Other Stories, K.A. Teryna, tr. Alex Shvartsman (Fairwood)
Best Artist
Galen Dara
Kathleen Jennings
Daniele Serra
Rachel Smythe
Charles Vess
Special Award – Professional
Clive Bloom, for London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury Academic)
Jaymee Goh, Jill Roberts & Jacob Weisman, for Tachyon Publications
Tim Lucas, for Succubus (PS/Electric Dreamhouse)
Blumhouse & Dave Schilling, for Horror’s New Wave: 15 Years of Blumhouse (Simon Element)
Becky Siegel Spratford, for Why I Love Horror: Essays on Horror Literature (Saga)
Richard Wolinsky, for Space Ships! Ray Guns! Martian Octopods!: Interviews with Science Fiction Legends (Tachyon)
Best Novel
Audition for the Fox, Martin Cahill (Tachyon)
Once Was Willem, M.R. Carey (Orbit US; Orbit UK)
The Secret Market of the Dead, Giovanni De Feo (Saga)
The Everlasting, Alix E. Harrow (Tor US; Tor UK)
The Adventures of Mary Darling, Pat Murphy (Tachyon)
Best Long Fiction
The River Has Roots, Amal El-Mohtar (Tordotcom; Arcadia)
“The Secret Diary of Mina Harker”, Theodora Goss (Letters from an Imaginary Country)
“Uncertain Sons”, Thomas Ha (Uncertain Sons and Other Stories)
The Death of Mountains, Jordan Kurella (Lethe)
“The Spotter”, Josh Malerman (You, Human: An Anthology of Dark Science Fiction, Vol. 2)
Psychopomp & Circumstance, Eden Royce (Tordotcom)
A Mouthful of Dust, Nghi Vo (Tordotcom)
Best Short Fiction
“The Hungry Mouth at the Edge of Space and the Goddess Knitting at Home”, Renan Bernardo (Reactor 8/27/25)
“In My Country”, Thomas Ha (Clarkesworld 4/25)
“10 Visions of the Future; or, Self-Care for the End of Days”, Samantha Mills (Uncanny 3-4/25)
“St. Dymphna’s School for Borderland Girls”, Jocelyn Szczepaniak-Gillece (Weird Horror Spring ‘25)
“Unfinished Architectures of the Human-Fae War”, Caroline M. Yoachim (Uncanny 5-6/25)
Best Anthology
Night & Day, Ellen Datlow, ed. (Saga)
Storyteller: A Tanith Lee Tribute Anthology, Julie C. Day, Carina Bissett & Craig Laurance Gidney, eds. (Essential Dreams)
The Best Weird Fiction of the Year: Volume 1, Michael Kelly, ed. (Undertow)
Year’s Best Canadian Fantasy & Science Fiction: Volume Three, Stephen Kotowych, ed. (Ansible)
Bog People: A Working-Class Anthology of Folk Horror, Hollie Starling, ed. (Chatto & Windus)
Best Collection
Letters from an Imaginary Country, Theodora Goss (Tachyon)
Uncertain Sons and Other Stories, Thomas Ha (Undertow)
The Essential Patricia A. McKillip, Patricia A. McKillip (Tachyon)
The Eleventh Hour: A Quintet of Stories, Salman Rushdie (Random House; Jonathan Cape)
Black Hole Heart and Other Stories, K.A. Teryna, tr. Alex Shvartsman (Fairwood)
Best Artist
Galen Dara
Kathleen Jennings
Daniele Serra
Rachel Smythe
Charles Vess
Special Award – Professional
Clive Bloom, for London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury Academic)
Jaymee Goh, Jill Roberts & Jacob Weisman, for Tachyon Publications
Tim Lucas, for Succubus (PS/Electric Dreamhouse)
Blumhouse & Dave Schilling, for Horror’s New Wave: 15 Years of Blumhouse (Simon Element)
Becky Siegel Spratford, for Why I Love Horror: Essays on Horror Literature (Saga)
Richard Wolinsky, for Space Ships! Ray Guns! Martian Octopods!: Interviews with Science Fiction Legends (Tachyon)